Episode 22: 80th Birthday Tribute to Garland Jeffreys, the King of In Between

On this special joint episode of our two podcasts, In the Shadow of the Evening Trees and Two Minutes Fifty-Nine, Jennifer and I celebrate one of our favorite artists, Garland Jeffreys, who turned 80 on June 29.

To those who don’t know, Garland Jeffreys is a singer-songwriter from New York who wrote and performed some of the most influential, if not necessarily widely-known, music over a 50-year career from the late 1960s to 2018 or so. His first big hit “Wild in the Streets,” has been covered by multiple artists and featured in movies and on television over the years. He also traveled in the same circles as Bruce Springsteen, Southside Johnny and the Asbury Jukes, Willy DeVille, Lou Reed, and the New York Dolls back in the day.

In this week’s show, we talk about how we connected with Garland, first through the music and later through social media, and how, in a weird sort of way, we lived parallel lives without knowing it. Which is to say, we both started having kids around the same time, which led Garland to pause his musical career and us to drop out of pop culture for awhile, as parents do when their kids are young. And so we both reemerged, in a sense, around 2011, and that’s when our paths crossed in real life. Since then, we’ve gotten to know Garland and his wife, Claire, we saw Garland play live in Chicago on multiple occasions, and we ultimately traveled to New York for his farewell concert five years ago.

It’s impossible to summarize Garland’s career or what his music means to us, but he and Claire are working on a documentary of his life and music called Garland Jeffreys: The King of In Between (a fitting title, as we explain), and we’re hoping that it’s out soon. In the meantime, you can contribute to the pos-production costs here.

Anyway, please give this week’s show a listen and share your thoughts in the comments below. And remember, as Joe always said, “Without people, you’re nothing.”

Episode 20: Dads, Guitars, Folk Music, and Punk Rock

Father’s Day is coming up and that can be a mixed bag for some folks. On this week’s episode, I talk about how Garland Jeffreys’ song “Collide the Generations” and the website dedicated to it helped me find the thread running through an old photograph, an old guitar, my dad, my brother, Joe Strummer, and me. 

I also discuss the 45th anniversary of the Clash’s single “White Man in Hammersmith Palais,” which they included on the US version of their self-titled debut album, and how it shows that they always knew what was up, even from the very beginning.

On a sadder note, I talk about New York singer/songwriter/legend Jesse Malin, who recently suffered a rare form of stroke that left him paralyzed from the waist down. Jesse’s a huge supporter of the Clash, and he’s done a lot work raising money for other musicians and folks in the hospitality industry impacted by the pandemic. Now is the opportunity help him: if you can, please donate to the Sweet Relief Fund for Jesse, here. You can also watch Jesse and other assorted Clash and Joe Strummer fans in A Song for Joe: Celebrating the Birthday of Joe Strummer.

Finally, you can watch the latest episode of Jon Stewarts The Problem on Apple TV, in which he discusses the latest indictment of a certain ex-president (a subject I discussed on last week’s show).

Anyway, please give this week’s show a listen and share your thoughts in the comments below. And remember, as Joe always said, “Without people, you’re nothing.”

Episode 13: The Clash on Broadway

I lied to you, dear listener, when I said I would not delve into the issues surrounding the indictment of a former president, because, you see, I couldn’t help myself. The lawyer in me got the better of me, so I took some time to share my thoughts on Ford pardoning Nixon, holding presidents accountable for their crimes (of course, the song I meant to refer to here is “Clampdown,” not “London Calling”), and the many, many examples from my home state of governors, legislators, and, yes, even a sitting supreme court justice, having cuffs slapped on them and being led off to jail. 

But, as David Letterman would say, that’s not why you called. So I also talk about Bruce Springsteen, the Clash, and the previously unknown assertion (unknown to me, that is) that The River was a response to London Calling and that Sandinista! was a response to The River. Who knew. And then, because I cannot let a certain congressperson’s defamation of New York go unchallenged, I delve into the Clash’s love affair with Gotham and my own fondness for it, too, before turning to a great, seriously underrated New York artist: Garland Jeffreys.

Garland Jeffreys is the definition of “great artist, good people.” He’s been Coney Island’s number one troubadour — to me, any way — since “Wild in the Streets” in the ’70s and Escape Artist in the early ’80s. I was fortunate enough to connect with him through social media when he made his comeback in 2011 with the fantastic album, The King of In Between, and that’s been one of the most rewarding experiences of the past decade. My wife and I have seen him play in Chicago many times, and we traveled to New York for his 2019 farewell concert that featured an all-star cast including Vernon Reid, Chuck Prophet, Laurie Anderson, and Ivan Julian, among others. 

Even better, we’ve had the opportunity to chat with and get to know Garland and his lovely wife, Claire, and they’re just great people. All I can tell you is this: If you don’t know his music, get to know it. You will not be disappointed.

And while we’re on the subject, Garland and Claire are producing a documentary on his life and music called, Garland Jeffreys: The King of In Between, which should be out soon. Please check out the film’s website and donate to the cause, because this is a story that must be told!

Anyway, please give this week’s show a listen and share your thoughts in the comments below. And remember, as Joe always said, “Without people, you’re nothing.”